welcome to the lookbook life.
Tagged: Strong women / Lookbook life
Hussein Chalayan ‘Dolce Far Niente’ SS10 Thank you for following, braided-nana. You are quite welcome in our lookbook life. (via braided-nana) Corselet de Sade by Hans Bellmer, 1950 (via sangbleu) Yohji Yamamoto, Fall 1983 Unpublished, Spring 2009, photography by Sybille Walter (via untitledblogproject) Lawrence Weiner / Ann Demeulemeester AW 2011 (via theforgottencorner) (via babyneko) (via fatifer) HAIR MOOD BOARD ON SANG BLEU . COM (via yama-bato) Yohji Yamamoto SS13 “When we talk about Japanese style,” Yamamoto says, “we cannot miss the concept called ‘loss.’ For example, after big celebrations, usually there are fans and bottles left on the road. When we see this kind of scene, we realize that the celebrations have come to an end. An emotion of loss will arise. When I see a woman walk toward me, I will feel like escaping. Meanwhile, when I see a woman walk away, I will feel the sense of loss and will have the desire to chase after her. For me, a woman walking away is more charming than walking toward me. Therefore, I always begin my design process from the back. After finishing the back, then I will start thinking about the front look. This order is my way of design. Women’s backs reveal their sexuality perfectly.” (Haaretz; Yohji Yamamoto at Design Museum Holon, 2012) The utility (and meaning) of emptiness. nelly agassi, no stepping outside the lines and no stepping on the floor. 1999; performance (via fungus)
May
23
“When
you wake up
from death,
you will find yourself
in my arms,
and
I will be
kissing you
and
I
will be crying.”
Richard Brautigan (via fatifer)
May
17
May
16
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